Giotto

Who: GIOTTO Di BONDONE When: 1267/1337 Why: Beginning of the Renaissance Where: Florence, Italy What: Frescos of the Deposition &The osculate of Judas Who: Giotto was the jump pigmenter to give photograph a entirely contrasting direction, before him picture was known as convoluted art, which meant that the paintings were phantasmal in theme, usually The Madonna and Child with funds gumptiongrounds, really flat and lifeless. He was discovered by a painter called CIMABUE painting sheep on a piece of intend age minding his fathers flocks. Cimabue recognised his talent and brought him back to his studio apartment in Florence. Here Giotto learned how to paint but created a style of his own that was much much lifelike and CREATED AN mis wreakation OF DEPTH (3D) WHAT: Giotto particolored FRESCOES (where the pigment is painted directly onto implike plaster on the walls) this way of painting was more indestructible and so they st ill last today. Giottos discovery of PERSPECTIVE, diminish & SHADE AND FORESHORTENING helped him to create the phantasy of depth on a flat surface not seen since classical times. He discarded the religious themes of other artists and chose to represent scenes of the Bible as if they were real events, taking place on a stage. WHERE: The line of business Chapel in Padua Italy was where he painted some of his superlative work, the frescoes run all more or less the chapel walls.

! The Deposition ( deliveryman interpreted from the cross) Giotto creates one of the episodes of the story of Christ; he brings the story brisk in front of us. The painting is an intenensely moving drama. His Mother, a muliebrity of almost masculine design (Giotto always depicts her as rangy and stately) clasps the dead body to herself; bloody shame Magdalene humbly holds his feet, looking through and through her tears at the marks of the nails. St John makes a manic gesture of despair grief, flinging back his arms....If you want to get a full essay, articulate it on our website: BestEssayCheap.com

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